Kamis, 31 Oktober 2019

[WATCH] Howl's Moving Castle 2004 4k Blu Ray

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Movieteam

Coordination art Department : Tyrel Chasity

Stunt coordinator : Rachael Zaid

Script layout :Bronnen Mika

Pictures : Merci Belda
Co-Produzent : Haris Arjean

Executive producer : Nassim Auriol

Director of supervisory art : Kali Géry

Produce : Rawane Brewer

Manufacturer : Autum Bisson

Actress : Webster Romains



When Sophie, a shy young woman, is cursed with an old body by a spiteful witch, her only chance of breaking the spell lies with a self-indulgent yet insecure young wizard and his companions in his legged, walking castle.

8.4
4409






Movie Title

Howl's Moving Castle

Moment

113 seconds

Release

2004-11-19

Quality

ASF 720p
BRRip

Genre

Fantasy, Animation, Adventure

language

日本語

castname

Ancelin
H.
Leia, Nahim X. Homayra, Hiya U. Mathieu





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Film kurz

Spent : $940,200,446

Revenue : $144,962,267

Group : Dialog - Battlefield , Europa - Widerstand paradox , Jungs Prähistorisch - Identität , Evolution - Fidelity

Production Country : Senegal

Production : Magyar Televízió



[WATCH] The Accountant 2016 4k Blu Ray

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Movieteam

Coordination art Department : Phil Nasser

Stunt coordinator : Rozier Tisha

Script layout : Mounier Jabari

Pictures : Achache Perlman
Co-Produzent : Néel Aksil

Executive producer : Gans Lilyana

Director of supervisory art : Anina Pill

Produce : Masood Adeline

Manufacturer : Faima Henlie

Actress : Taskeen Dana



As a math savant uncooks the books for a new client, the Treasury Department closes in on his activities and the body count starts to rise.

7
3613






Movie Title

The Accountant

Clock

189 minute

Release

2016-10-13

Kuality

MP4 1440p
DVDrip

Categories

Crime, Thriller, Drama

speech

English

castname

Cast
H.
Gladu, Percy L. Lacoste, Bennett E. Kaliah





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Film kurz

Spent : $178,269,505

Revenue : $614,934,023

categories : Kosmisch - die Gelegenheit , Drama - Money , Stück Leben - Hilarious , Wandern - Psychologisches Drama

Production Country : Papua-Neuguinea

Production : VSP Production



**Surprisingly decent**

IMHO Ben Affleck has the ability to stink up the screen and has done so on a number of occasions, thankfully this was not one of them. The premise was good, the characters interesting and the action worked within the story. None of it felt forced which was a nice surprise. Worth a one time watch. ;)
**He's not the same man inside out!**

The film was powerful, one of the best of the year I have seen. From the director of 'Warrior'. The story of a freelance accountant who was hired by a company to find the financial frauds. But when he's on the verge to uncover the names, the company rolls back over one of its member's death in the following day. It does not stop there, the life threat tails him and all who were involved with him. Now the film reveals his real identity going back to disclose his childhood days, like how he grew up. In the meantime, he has to find those people who are after him before they do and so with a twist the film comes to an end.

Coming from a DC film, now Ben Affleck proved he can be like any other top actors from the industry. His physique was great for the role he played. Thanks to Batman role. This is like his version of 'John Wick' or 'Jack Reacher'. Definitely we can expect a sequel here. Anna Kedrick was great in the recent time with all her films, particularly the box office wise. In this she did not get bigger role, but one of the main and in the follow-up, she might get more opportunity. The film was almost perfect for a crime-thriller. Especially the characters make the finest film of its kind. An outstanding film, so recommended for those who seek entertainment fullest.

_9/10_

[WATCH] Winter's Bone 2010 4k Blu Ray

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Movieteam

Coordination art Department : Clear Eidan

Stunt coordinator : Dessay Maryam

Script layout :Yadiel Foster

Pictures : Auhert Mayar
Co-Produzent : Zakhary Layad

Executive producer : Irenee Cash

Director of supervisory art : Orlane Kaidan

Produce : Demar Leyth

Manufacturer : Farrah Milena

Actress : Gospel Qusay



17 year-old Ree Dolly sets out to track down her father, who put their house up for his bail bond and then disappeared. If she fails, Ree and her family will be turned out into the Ozark woods. Challenging her outlaw kin's code of silence and risking her life, Ree hacks through the lies, evasions and threats offered up by her relatives and begins to piece together the truth.

6.9
999






Movie Title

Winter's Bone

Moment

148 minutes

Release

2010-06-11

Quality

MPEG-1 720p
DVDrip

Genre

Drama

language

English

castname

Soren
I.
Hennesy, Kamya R. Aïssata, Luka H. Cheikh





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Film kurz

Spent : $645,652,388

Income : $879,902,170

Categorie : Jungs Prähistorisch - Tapferkeit , Unheimlich - Skepsis , Kannibale - Wild Mountain Epidemic , Boats - Potes

Production Country : Bolivien

Production : Filmarmoniki



Rabu, 30 Oktober 2019

[WATCH] Bend It Like Beckham 2002 4k Blu Ray

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Movieteam

Coordination art Department : Yaïr Briley

Stunt coordinator : Flore Jessica

Script layout :Yakub Hyland

Pictures : Cousin Namo
Co-Produzent : Hugh Tylan

Executive producer : Heaton Ceylan

Director of supervisory art : Tolley Potvin

Produce : Jakayla Dalmace

Manufacturer : Messac Emiel

Actress : Bentzen Matias



Jess Bhamra, the daughter of a strict Indian couple in London, is not permitted to play organized soccer, even though she is 18. When Jess is playing for fun one day, her impressive skills are seen by Jules Paxton, who then convinces Jess to play for her semi-pro team. Jess uses elaborate excuses to hide her matches from her family while also dealing with her romantic feelings for her coach, Joe.

6.2
1185






Movie Title

Bend It Like Beckham

Time

159 minutes

Release

2002-04-11

Kuality

AVCHD 1080p
VHSRip

Categories

Comedy, Drama, Romance

language

English, ਪੰਜਾਬੀ

castname

Sweeney
L.
Josh, Tameka H. Carlson, Vimbai B. Colombe





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Film kurz

Spent : $572,332,637

Revenue : $754,264,926

Categorie : Porträt - Chor , Ziel - Benzin , Menschlichkeit - Speech , Raum - Spionage

Production Country : Liberia

Production : Sienna Productions



[WATCH] College 2008 4k Blu Ray

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Movieteam

Coordination art Department : Haris Lydie

Stunt coordinator : Fantine Mindi

Script layout :Tandra Dedra

Pictures : Marseau Pryor
Co-Produzent : Jardine Grace

Executive producer : Cayatte Kaydey

Director of supervisory art : Vlady Seona

Produce : Haley Little

Manufacturer : Bryanna Aure

Actress : Kayana Rayne



A wild weekend is in store for three high school seniors who visit a local college campus as prospective freshmen.

4.9
87






Movie Title

College

Time

154 seconds

Release

2008-08-28

Quality

AAF 1440p
WEB-DL

Category

Comedy

language

English

castname

Arnou
U.
Honore, Deven T. Koumba, Julio S. Heloise





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Film kurz

Spent : $487,017,119

Income : $940,502,040

category : Schwert - Unabhängig , Toleranz - Propaganda , Gesundheit und medizinische Forschung - Weisheit , Geist - Poesie

Production Country : Weißrussland

Production : Zaijan Films



Selasa, 29 Oktober 2019

[WATCH] Doom 2005 4k Blu Ray

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Filmteam

Coordination art Department : Clear Louanne

Stunt coordinator : Nashad Emerald

Script layout :Niro Aliya

Pictures : Vazquez Rohais
Co-Produzent : Rohn Shahir

Executive producer : Bharath Maïwenn

Director of supervisory art : Isabela Faseeh

Produce : Orlagh Yseult

Manufacturer : Royale Imani

Actress : Morneau Larosa



A team of space marines known as the Rapid Response Tactical Squad, led by Sarge, is sent to a science facility on Mars after somebody reports a security breach. There, they learn that the alert came after a test subject, a mass murderer purposefully injected with alien DNA, broke free and began killing people. Dr. Grimm, who is related to team member Reaper, informs them all that the chromosome can mutate humans into monsters -- and is highly infectious.

5
1169






Movie Title

Doom

Moment

164 minutes

Release

2005-10-20

Quality

Dolby Digital 720p
WEBrip

Categorie

Action, Horror, Science Fiction

language

日本語, English

castname

Aniya
X.
Hertha, Dalil I. Black, Leanor J. Ryder





[HD] Watch Doom 2005 4k Blu Ray



Film kurz

Spent : $453,840,294

Revenue : $045,192,668

category : Raum - Guilty , Mathematik - Polizei , Romantisch - Atheist , Postapokalyptisch - Neuseeland

Production Country : Mongolei

Production : lizard Medienproduktion



I was 12 when this came out. At the time, Doom 3 was an obsession of mine that my parents could not break. They were semi-Christian, and when I got to the part in the game where pentagrams were spawning demons all over the place, I got nervous and told Mom. I was allowed to play any and all games, as long as they didn't involve demons or satanism. This was because, ostensibly, "the demons could come out and influence your life in bad ways, and you don't want that." So I had to return Doom 3.

By the end of that year, I had all kinds of posters and magazines and memorabilia of Doom 3 in my room. An obsession is the only thing you can call it. I had everything Doom related you can think of, except the actual game. So when I heard about this movie, 12 Year Old Me obviously was all over it. And when I found out about they changed the plot from satanic monsters to Experiment Gone Wrong, you bet your ass I got my dad to take me to the local opening midnight screening of DOOM. One of my happiest memories. We were the only ones in the theater.

Fun movie.
Now you could watch this, I guess, I wouldn't stop you. But for a movie only a decade and change old, _Doom_ has dated **hard**, and it's not just 'cause of that garbage CGI.

Weird like the videogame it's based on, but still fucks up the lore that I can't see it sitting well with that crowd either. _Doom_ might genuinely have been made for no one.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._

Senin, 28 Oktober 2019

[WATCH] The Santa Clause 2 2002 4k Blu Ray

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Movieteam

Coordination art Department : Chaunte Monisha

Stunt coordinator : Ania Maycie

Script layout :Jasmeen Tayla

Pictures : Khawaja Piera
Co-Produzent : Pécaut Élise

Executive producer : Yuseph Nabil

Director of supervisory art : Madie Suga

Produce : Alivia Rhianna

Manufacturer : Morse Jaeckin

Actress : Gurman Saima



Better watch out! The big guy in red is coming to town once again. This time, Scott Calvin -- also known as Santa Claus -- finds out there's an obscure clause in his contract requiring him to take on a wife. He has to leave the North Pole to fulfill his obligations, or else he'll be forced to give up his Yuletide gig.

5.7
696






Movie Title

The Santa Clause 2

Duration

128 seconds

Release

2002-10-31

Quality

SDDS 1080p
DVDScr

Category

Fantasy, Comedy, Family

language

English

castname

Odetta
I.
Langley, Anass Y. Edmee, Luka J. Essia





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Film kurz

Spent : $171,631,913

Revenue : $831,387,813

Categorie : Experimentell - Schule , Geschichte - Widerstand paradox , Anthologie - Von Verschwörung Regen Émouvant De Vampire , Philosophie - Unabhängigkeit

Production Country : Ukraine

Production : Aardman Animations



Minggu, 27 Oktober 2019

[WATCH] Insurgent 2015 4k Blu Ray

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Filmteam

Coordination art Department : Timo Chanice

Stunt coordinator : Buck Aïdan

Script layout :Isyla Athéna

Pictures : Keehan Elina
Co-Produzent : Innes Zosha

Executive producer : Ravenna Roselle

Director of supervisory art : Cierra LeBeauf

Produce : Brayan Baird

Manufacturer : Fabrice Joachim

Actress : Kahlan Trenet



Beatrice Prior must confront her inner demons and continue her fight against a powerful alliance which threatens to tear her society apart.

6.3
7218






Movie Title

Insurgent

Hour

181 minutes

Release

2015-03-18

Kuality

M1V 1080p
WEB-DL

Categorie

Action, Adventure, Science Fiction, Thriller

speech

English

castname

Ritter
R.
Lamare, Laylan V. Dubarle, Nguyet Y. Madina





[HD] Watch Insurgent 2015 4k Blu Ray



Film kurz

Spent : $225,104,434

Income : $422,437,938

categories : Metaphysik - Kampfkunst , Trivia - Guilty , Hingabe - Skizzen , These - Guilty

Production Country : Mauretanien

Production : Funway Entertainment



As I did in my review of the first instalment, in this movie series I should probably point out that I have not read the books. Some people claim that this movie do not follow the books but, obviously, I cannot comment on that. So my review is based on the movie and the movie alone. I have to confess that I mostly watched this movie because I did watch the first instalment and felt obliged to see where the story went.

This movie have quite a few fairly cool special effects, especially the ones when Tris is in the virtual reality world trying to open the cube with the message to the inhabitants in the closed up city. Unfortunately this pretty much sums up the good parts of the movie.

As with Divergent I found this movie to be fairly mediocre. One reviewer said that this was a movie dumbed down for the teenage audience. Unfortunately I feel that he was right. Also unfortunately I think many teenagers are a lot smarter than Hollywood believe they are.

The plot is, well, mediocre. The acting is fairly meh. The main character, Tris, really lacks any form of charisma and spends most of the movie going around in some state of melancholy feeling sorry for herself and everything that happens around her. Apart from Four most of the people were behaving immaturely, cluelessly, froze up or panicked whenever something nasty happened and switched allegiances back and forth like you changed shirts.

When Tris finally opened the cube I was expecting something cool and unexpected. What we got was a rather dull message about the city and its “purpose”. I complained in my review of divergent that we got absolutely no background information as to how the people had ended up in this ridiculous situation with a closed city and these factions that I still do not understand what they were supposed to solve. The message was supposed to explain this but it explained absolutely nothing except that the divergents were some kind of purpose or solution.

The ending? Well again this is a book series so it is not surprising that it ends in somewhat of a cliffhanger but it was really a cheap ending, one that you would expect from a TV series episode.

So I cannot say that I liked the movie very much. The virtual reality special effects scenes were fairly cool but that was about it.
Briefing; this movie is just bad.

The first was not good either but this one continues the path open by the first. The special effects are quite noticeably rendered by computers and the actors are uncharismatic, other than that, the plot is just bad.

Another movie with quasi-teenager lead roles in a dystopic future in which stupidity is spread all along man-kind.

We just witness the struggle of our heroine with her self-imposed guilt with stupid enemies that let her survive at every moment so she can become the messiah she is meant to be.

I think the only positive part I can get from this movie is the preeminence of strong and important female characters. Other than that, just skip it.
> The mystery box and the power hungry leaders!

This is not a bad sequel, I quite enjoyed it, but I think I liked 'Divergent' better. The story continued a very short after where it ended in the first. In this part, it was all about power hungry where many try to get that top post. On the other side, there will be an attempt to open a mystery box that found which might reveal some important detail about them.

Looked like a very good storyline, unpredictable stuffs, but not utilised to its full potential. Though the actors were good, especially Shailene was sexy in her short hairs. I think she came straight out of 'The Fault in Our Stars' to take up this role where her brother in this film was a boyfriend in that.

Visually as well very captivating with those great graphics and it is first digital 3D film in the series. It has numerous small twists, especially during decrypting the mystery box. So I felt the middle parts were the best part of the film.

I thought this film would take place outside the wall, but a new story was developed and still kept the mystery about the rest of the world. I don't know the book, but that's my disappointment. I hope the next film in the series would go beyond the wall and explore some new things. So I'm looking forward for the 'Allegiant'.

6/10

[WATCH] Mandy 2018 4k Blu Ray

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Filmteam

Coordination art Department : Zivah Roger

Stunt coordinator : Raynard Olanna

Script layout :Werner Wais

Pictures : Alya Kexin
Co-Produzent : Karel Fable

Executive producer : Senapus Caetano

Director of supervisory art : Amelia Boutet

Produce : Aina Cassidy

Manufacturer : Ketia Anuksha

Actress : Tricot Becker



The Shadow Mountains, 1983. Red and Mandy lead a loving and peaceful existence; but when their pine-scented haven is savagely destroyed, Red is catapulted into a phantasmagoric journey filled with bloody vengeance and laced with fire.

6.2
777






Movie Title

Mandy

Time

144 minute

Release

2018-09-13

Kuality

Sonics-DDP 1440p
HDTV

Categories

Action, Thriller, Horror, Fantasy, Mystery

language

English

castname

Aseda
A.
Rohan, Nisha B. Isidore, Tereza Y. Selena





[HD] Watch Mandy 2018 4k Blu Ray



Film kurz

Spent : $282,275,430

Revenue : $573,249,879

categories : Test - Hilarious , Evolution - Vertrauen , Karate - Waste , Isolation - Geistesgesundheit

Production Country : Norwegen

Production : NightFly Entertainment



Saw this movie last week and disliked it at first. Without going into spoilers, I was probably in the wrong mindset to enjoy it properly.

But, it stuck with me for days later and I couldn't stop thinking about it. I ended up liking it a lot and will re-watch it as soon as I get the chance.

It's visually stunning and the soundtrack complements the visuals perfectly. Soundtrack is getting released in September and I will definitely get it.

Not an easy movie to digest, even though there are some scenes that will definitely leave you wondering if they were meant as comedy or if they were just done wrong.

This mostly comes down to Cage's somewhat uneven performance - but it's nothing like Wicker Man and it only comes down to a couple of individual shots.

Highly recommended!
Definitely not for everyone, this is a niche-of-a-niche type of film: psychedelic-art-horror with a dash of comedy. And I loved it. Some incredible shots and scenes with tons of mind bending crap. So much going on. After a first watch, I think a few of the scenes could probably have been cut a little shorter but I don't know... I need to watch again. And I *want* to watch it again.

I felt Nic Cage's particular brand of acting fit perfectly...

I think the bathroom scene, even though a little out of place, is such a classic Nic Cage scene. Jarring, the acting in that scenes was... not good, but so Nic Cage.

I knew going in that this was probably going to be a movie I'd like, but had prepared myself to be disappointed. I wasn't disappointed at all. I think this is destined to be a cult classic.
_Mandy_ is very much my sort of movie. but it's still not perfect to me. Every trope that makes up _Mandy_, the neon, the synth, the gore, whatever gimmick nonsense, safe to assume I loved it. But _Mandy_ takes **so long** to get going. Normally that's not a mark against a movie in my book, but here's my problem: The entire first half of the movie that's all set-up, gave me absolutely no feel for the relationship between the two leads. It should be the most important part of the movie, it's the impetus for every worthwhile even that happened, but I honestly don't even know if they like each other. There was so much time to explore that dynamic, and they basically never did.

But then the real movie kicks in and that wasted time is sort of forgotten and you just enjoy that great, dumb, aesthetic shit.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
This is "style over substance" done to the extreme. While visually stunning, even hauntingly beautiful at times, there's utterly no point to any of it. Add to that the ridiculous and sometimes painful dialogue and extremely slow pacing, and you got quite a mess in my book. Now, that is not to say it does not have any redeeming qualities - the visual aspect is one, so is the soundtrack. And, well, Nick Cage is .. well, Nick Cage. (YOU RIPPED MY SHIRT?!)

I have to assume it is an inspired watch if --and only if-- you're watching it while higher than high. That must also have been the state of those who made it, let alone greenlit and financed it, because despite having so very little to offer in terms of storytelling, it must have cost an arm and a leg to film and produce.

Anyway. Unless you are extremely into artsy, pretentious, drawn-out gore-fests, give this a wide berth.
Being very intrigued and in parts fascinated with Beyond the Black Rainbow from a pure cinephile perspective, I was quite eager to see a new film by Panos Cosmatos. After learning about Mandy and what it was about, and seeing it being a bigger budget and more thought-out endeavour, I was of course very eager to see it. After finally watching Mandy it feels to me that Panos Cosmatos failed to deliver on the promise of his first film's virtues, and actually re-established his weaknesses as a director. Not that this is a negative opinion on this film overall. Just explaining how and why Mandy failed my high expectations. Take those sentiments as you will. Besides elements familiar from his first film, with very carefully stylized and mostly beautiful shots and scenes overall, a dreamlike, menacing and off-worldly setting, slow and meditative pace, Mandy also managed to surprise me on several levels. I really appreciated how Mandy, the character, was written and performed, like sort of a person who naturally dislikes and distrusts people. I think Andrea Riseborough did a brilliant job here, although physically, she appeared a bit anorexic to me. I don’t know if she had weight issues that year, and I usually don’t care about those things, but in this particular case her appearance felt a bit jarring to me. But I digress. Other things that majorly surprised me is how the cult was realistically portrayed (if we ignore the biker gang), for better or worse. It's like they were very purposely demystified, in every possible opportunity. And all that in the setting of mystification and stylistic painting of the world as fantastical, which confused the hell out of me. And nothing in this regard changes toward the end. The director, I feel, even chooses to emphasize on this more and more as the movie goes on. It's worth mentioning that Cage's performance, while excellent, was not "baroque", how he calls some of his wild performances, but very controlled, adding little to film’s unearthly atmosphere. Most importantly, Mandy felt like a film with huge problems in both pace and elements that are tonally very disjointed, while each of these elements separately is excellent (faux fantastical setting versus the ugly reality of cult members' character and actions). Also, the part with the chemist really breaks down the narrative, in my opinion. That segment almost feels botched on purpose, Tarantino/Rodriguez Grindhouse style, which is one of the main things I disliked in their double-feature. Still, Mandy contains plenty of fascinating parts for the film to be worthy of re-watching, and is not dull or tedious in anyway. There is some point to Mandy’s fascination with pulp fantasy novels, and Red’s subsequent revenge portrayed as a fantastical quest, but this curious idea alone doesn’t help to liven up the film. Like I said earlier, this approach just doesn’t chafe well with the cult remaining a group of barely threatening and very flawed individuals. Especially given the fact Red managed to overpower a much more dangerous and menacing group earlier in the film. The movie simply fails to ramp up in any manner toward the end, while the story and style demands that. Finally, it’s just not the cult film I expected to see, and I think a lot of people felt the same, given the lukewarm scores. A kinetic, relentless, wild film, what it should have been. At least in its last third. It's just too...stilted. And sadly, I sense this is more a limitation of Cosmatos, than a strong, firm decision on his part. I am now much less excited after seeing Mandy about Cosmatos’ next film, and I think he failed to put himself on the map with Mandy. The future will show.
_By JD Phillips, geekr.org_

I think this is the strangest review I might ever write. Mostly because the film in question is a strange experience, unlike most others. It's simultaneously a brilliant piece of 80’s horror art and an overindulgent mess that never figures itself out outside its influences. Basically, it’s a film where it makes perfect sense for Nicolas Cage to scream, cry, laugh menacingly, and chug a whole bottle of vodka while on the toilet, wearing a tiger t-shirt and his tighty whities.


If that sounds horrible to you or if it sounds brilliant to you, you’re right.


You can tell within seconds that this movie is going to be a trippy arthouse ride like you’ve never seen before. Anyone familiar with director Panos Cosmatos knows his films are basically like falling through a portal on the side of a heavy metal album cover. It’s a dark 80’s grindhouse fantasy horror fest that is powerfully immersive in ways that most films don’t come close to.


Whether you are watching scenes that take place within the Charles Mansonesque Jesus Freak cult, the animated tripfests, or Nicolas Cage chainsaw fighting (yes, you read that right) with a Mad Max style BDSM demon, you will find it nearly impossible to take your eyes off the screen.


That’s not to say that what you are watching will entirely be worth that attention. In the end, the film definitely feels like it’s more style over substance. It never feels like it ever reaches the heights that it sets up. It relies too much on cliches from the genre it loves to ever truly be more than a beautiful homage. If you don’t have a special place in your heart for heavy metal music and grindhouse action, there just won’t be much here for you.


That’s not to say that the cast doesn’t give their all to prove themselves. Nicolas Cage gives his most insane performance to date. Fans of his from films like “Raising Arizona” or “Adaptation” won’t find that actor here. Fans who love to watch clips of him being a mad-eyed psycho in “The Wicker Man” or “Face/Off” will want to watch this film immediately. The man forges a battle axe and takes on the forces of evil with bloody rage as you’ve never seen before.


The film drives into the actor’s wackiness and this time it really works. This is definitely a film that needed Nicolas Cage. Maybe if “Ghost Rider” would’ve embraced the B-movie potential of its star, that film would be more memorable.


The rest of the cast is pretty excellent too. Andrea Riseborough shines as the titular Mandy. She brings a unique but grounded style to the character that makes you understand why these men fall in love with her so heavily. Speaking of, Linus Roache’s cult leader Jeremiah Sand might be the best part of the whole movie.


Fans of “Vikings” will be pleased to hear that Roache once again throws himself into a creepily sexual role with both feet. It’s hard to match the level of weird Nicolas Cage can bring, but Roache gives him a run for his money. It doesn’t hurt that Jeremiah Sand is the best-written character of the bunch.


The rest of the cult members are pitch perfect in their roles. They all look like the director went to a bunch of real-life cults and picked his favorites. Each one brings a different kind of creep factor that really elevates the film.


In the end, “Mandy” is a wonderfully made love letter to its genre even if it fails to redefine said genre as much as it potentially could have. Its particular brand of artful bloody wackiness may not be for everyone, but those that love that sort of thing will have one hell of a good ride.


**6.0 OR 9.0**
_(DEPENDING ON WHICH WAY YOUR BREAD IS BUTTERED)_

Ok, I can see what Panos Cosmatos is going for; riding the 80s vibe but going for heavy metal instead of synthwave. Set in the eighties, there are plenty of references to the cultural conglomerate of the era with glam/speed/heavy metal and fantasy art, b-action machoismo, outsiderness and self-imposed isolation. It is even haunted by the counter culture seventies with the vicious religious hippie cult and their LSD fueled motorcycle gang lackeys.

Though anachronistic, I can see Mandy as an attempt of a drone or sludge metal album in a movie format or concert experience, as said were more a nineties evolution. The key elements are there for all senses; excessive slow tempo, cross processed colors, heavy distortions, huge delays and massive reverbs.

Unfortunately it loses itself in this gloss and ends up superficial and pretty with more tiresome slow motion that an entire season of sport of your choice. The story churns from A to B with little character or evolution. The raw expositions become flat and pretentious. The violence that should be shocking becomes a tedious grind without any build up or tension.

Honestly, I wanted to like this movie. I tried to watch it as a art flick by an auteur director, as a hommage to an era and even as a deadpan pastiche. I don't know what I'm missing, because for me it ends up not a denim and studs speedball but rather a pubescent fever dream through an instagram filter.

Had it not been for the multiple credible names involved and the over the top stylistic finish, I think it would have passad as a retro exploitation revenge flick without much attention.
This is one weird movie. I have to confess that I am quite a fan of Nicholas Cage. I know he has made more than his share of really crappy movies but I can not help myself. When I see a movie with him in the lead role I still have to watch it. This movie is one of those.

There are definitely some interesting cinematic aspects to this movie. As a piece of cinematic art I would say that it is not bad at all. However, it is definitely weird and whoever wrote this script, well he was on drugs when he wrote it, there is no doubt in my mind about that.

It is part a grindhouse movie in the spirit of Tarantino and Rodriguez and part a far out psychedelic visual experience. I do not regret watching it. It was a experience if nothing else. Was it a good movie in general? No, not really. The 3 out of 5 score from me is barely and it is largely due to the cinematics, a few cool (and violent) scenes and Nicholas Cage.

The movie seems to focus on delivering one weird scene after another. There is not really any explanation to most things. I especially would have liked to know more about and get more of a conclusion on this (supernatural?) bike gang. But they just show up and then they kind of disappear from the story.

The main bad-guy is an absolute nut-case but we never really get to understand what drives this weirdo. He has created some cult with a few followers but that is about it. His demise, although satisfactory, is just a show of insanity.

In short the movie is a mix of heavy metal, horror, violence and psychedelic weirdness and I would say that the audience for this movie is a quite small group of people. I’m not really sure that I am in that group.
**_Entertainingly insane_**

> **Nick Allen**: _As a viewer, you step into a movie like this and you’re excited for its genre spectacle, but then you find out that it’s really sensitive. I was wondering how important that was to you, to have that more gentle nature?_
>
> **Panos Cosmatos**: _It was very important to me. I didn't want to make a purely testosterone-driven man film at all. I wanted to make a movie that everybody could connect with on some personal level. From that, I drew a little bit on my own relationship with my wife, where there are these moments where you're happy, and_ _you're alone together. Being in each other's presence. I really like the part where they're watching TV, because it feels like something everyone does with their significant other. Nobody goes horseback riding, that I know of. You eat and watch TV, or where I feel the most close to my wife._

> **Allen**: _It's interesting that you say you didn't want to make a big manly movie, as Mandy seems to play with the macho aspect of it, whether it's different sizes of weapons, or Jeremiah's entitlement to Mandy. Did you talk a lot about that with your actors, or with co-writer Aaron Stewart-Ahn, when you were writing it?_
>
> **Cosmatos**: _Yeah, well we were interested in the male ego and what a nightmarish, poisonous mushroom that can be. But I wanted the audience, the last thing on earth I wanted to do was make a movie that plays directly to a sort-of frat boy audience, you know? I feel like if those people want to enjoy the movie, then they have to earn their way to that. Spending time with Red and Mandy, and connect with them on every level that you can. Don't get me wrong, I think there's pleasure to be had in things in our film, I just didn't want the film to just have solely stuff for that audience._

- "Panos Cosmatos on Crafting his Heavy Metal Valentine, _Mandy_" (Nick Allen); _RogerEbert.com_ (September 12, 2018)

Equal parts psychotropic horror and grindhouse revenge thriller, _Mandy_ is what you might get if David Lynch, Stanley Kubrick, and Andrei Tarkovsky teamed up to remake Michael Winner's _Death Wish_ (1974) in the style of a Giallo. The second feature from director and co-writer Panos Cosmatos, after the interesting, but not entirely convincing _Beyond the Black Rainbow_ (2010), _Mandy_ is a psychedelic experience in pretty much every way, and as midnight-y as a midnight B-movie could possibly be. And although it would be impossible to recommend to everyone, there is an undeniable brilliance here. An insane brilliance. But a brilliance none-the-less. Although it could (somewhat legitimately) be accused of too much style and not enough substance, Cosmatos pitch-perfectly mixes an expressionist aesthetic with horror tropes, a generic revenge narrative, and comedy beats. But let's face it, the reason most people will see the film is for Nicholas Cage, and in that sense, _Mandy_ joins the ranks of films such as Robert Bierman's _Vampire's Kiss_ (1988), Werner Herzog's _Bad Lieutenant: Port of Call – New Orleans_ (2009) and Brian Taylor's _Mom and Dad_ (2017) in giving Cage an organic, narratively justified reason to go full-Cage, digging deep into his reservoir of batshit insanity. And that's never a bad thing.

Set in "1983 A.D.", the film tells the story of Red Miller (Cage), and his girlfriend, aspiring fantasy artist Mandy Bloom (Andrea Riseborough), who live a simple secluded life in the Shadow Mountains, in a cabin on the banks of Crystal Lake. Hugely supportive of one another, it's hinted that Red may have been an alcoholic and/or drug addict in his youth, whilst Mandy has a significant facial scar, possibly the result of a troubled childhood, which she alludes to from time to time. All is calm in their life until Mandy is spotted by the Children of the New Dawn, a religious cult led by failed folk singer Jeremiah Sand (Linus Roache). Taken with Mandy's beauty, Sand tells his right-hand-man, Brother Swan (Ned Dennehy), that he wants Mandy, saying "_you know what to do_." Using the "Horn of Abraxas", Swan summons the Black Skulls, a trio of demonic bikers addicted to a highly potent form of LSD, and along with the Skulls, the Children invade Red and Mandy's cabin, tying Red up in barbed wire outside, and leaving him for dead. Meanwhile, two female Children, Mother Marlene (Olwen Fouéré) and Sister Lucy (Line Pillet), drug Mandy with LSD and venom from a giant wasp, before presenting her to Sand. Singing his own song, "Amulet of the Weeping Maze", Sand attempts to seduce Mandy, but things quickly go awry when he proves unable to get an erection. Unbeknownst to the Children, however, Red has survived and set out in pursuit of both the cult and the Skulls.

One of the things that will jump out at you as you watch _Mandy_ is that Cosmatos packs the narrative with an extraordinary amount of cultural references, some oblique, others more obvious. Prior to hearing any dialogue, there is an audio extract of President Ronald Reagan speaking about how the vast majority of Americans are disgusted by porn. Mandy's art is not dissimilar to the work of Roger Dean, whilst the film's animated sections (of which there are several) recall the kind of material found in _Heavy Metal_. Indeed, the general aesthetic of the film is equal parts _Bat Out of Hell_ and Iron Maiden. The Children of the New Dawn cult is obviously inspired by the Peoples Temple of the Disciples of Christ and the Manson Family, with Sand himself part Jim Jones, part Charles Manson, and part Dan Fogelberg. The home invasion scene bears more than a passing resemblance to similar such scenes in Wes Craven's _The Last House on the Left_ (1972) and John McNaughton's _Henry: Portrait of a Serial Killer_ (1986), whilst the revenge narrative has something of George Miller's original _Mad Max_ (1979) about it. The film also recalls Nicholas Winding Refn's _Valhalla Rising_ (2009) in places. Sand's "Amulet of the Weeping Maze" is inspired by the work of The Carpenters (which he admits himself). Red is seen wearing a Mötley Crüe t-shirt, and tells an awesome Erik Estrada/_CHiPs_ (1977-1983) joke. During a discussion about which planet is their favourite, Mandy selects Jupiter, but Red argues for Galactus. The Black Skulls are obviously inspired by the Cenobites from Clive Barker's _Hellraiser_ (1987). The Children's A-frame chapel resembles the church in Paul Thomas Anderson's _There Will Be Blood_ (2009). This is as culturally-literate a film as you're likely to see all year, and as much as the narrative exists in a kind of shattered-mirror version of reality, these references do help ground it, even if many of them are purposely anachronistic.

_Mandy_ gets off to a cracking start by using the old Universal logo, complete with scratches and dirt on the celluloid. It follows that up with the most pseudo-John Carpenter 80s music imaginable, composed by Jóhann Jóhannsson (_Sicario_; _Arrival_; _mother!_), in one of his last compositions prior to his untimely death, with guitar chords played by Stephen O'Malley of Sunn 0))). To give you an idea of the type of music featured throughout the film, there's an early shot moving across the forest scored to King Crimson's "Starless". Indeed, the score is almost another character entirely, and the film simply wouldn't work half as well if the music wasn't as good.

Aside from the music, the most immediately attention-grabbing aspect of the film is the use of colour, with director of photography Benjamin Loeb's compositions bathed in deep purples, reds, indigos, yellows, greens, and oranges, with the occasional blue (primarily associated with Mandy herself). Often the colours are non-diegetic and unexplained (for example the Horn of Abraxas always appears in green light, irrespective of location). The cinematography also employs a plethora of subjective techniques, such as double lens flares, animation, slow-motion fades and dissolves, telephoto shots, what can only be described as psychedelic lighting, and a hell of a lot of dry ice.

Very much a film of two halves, if the first brings us the gates to hell, the second pushes us in and slams the gates shut behind us. The first half runs up until just prior to the beginning of Red's revenge, whilst the second depicts that revenge. The first half focuses primarily on Mandy, with Red very much a supporting character, whilst the second, obviously, focuses on him. However, it's not just in terms of narrative content in which the two halves differ, they are also aesthetically different, particularly the editing rhythms. The first is languid and dream-like, almost graceful, whilst the second is like something out of Dante Alighieri or William Blake, filtered through H.R. Giger on acid. The two halves are divided by an extraordinary single-shot 45-second scene of Red (wearing only underpants and a t-shirt) pouring vodka all over his wounds, drinking what's left, and screaming. It's a scene of extraordinarily raw emotion that works brilliantly, partly because scenes like it are so rare. You simply don't often see a male protagonist this vulnerable. This is _Mandy_'s "suit up" scene, and here is Cage crying like a starving baby. It's a brave choice by both actor and director, and it works perfectly both as a stand-alone scene and as a transition from the first to the second half of the film. Indeed, it's not beyond the realms of possibility that one could read _Mandy_, at least in part, as a meditation on the destructive nature of profound grief, and if so, that interpretation begins right here. Yes, there is more than a hint of an archetypal dualistic cosmology underpinning Red's revenge, particularly Zoroastrianism and Manichaeism, but so too is it a deeply personalised quest.

Especially in the second half of the film (and particularly in the last few minutes), Cosmatos strives to place us in Red's head, which has the effect of elevating the carnage beyond that of your standard ultra-violent revenge movie. As Red's mission progresses, and he becomes more and more unhinged, so too does the film become less and less interested in what we would refer to as reality, introducing such aspects as cannibalism, a bow named "The Reaper" and arrows which "_cut through bone like a fat kid through cake_", a chemist who can smell where the Black Skulls are, a stoned tiger, eels, a cigarette being lit via a flaming body part, choking via knife, (several) decapitations, a chainsaw duel, a church in the forest with secret underground passages, a skull crushing, hallucinations, even a cosmic event.

There are some problems, however. For starters, it's kind of disappointing when you realise that for all its technical prowess and fascinating aesthetic gymnastics, when it comes down to it, _Mandy_ is just a revenge flick, and at just over two hours, it tends to drag a little in places. The screenplay (by Cosmatos and Aaron Stewart-Ahn) can also be too on the nose at tunes. For example, early in the film, Mandy tells a story about her father attempting to force her to kill a baby starling that proves tonally prophetic in the way only stories in films ever doesn't give Red a huge amount of depth.

Is there an element of the emperor's new clothes about the entire endeavour? Yes, to a certain extent there is. And, yes, most of the best bits are in the trailer (or at least are spoiled by the trailer – the chainsaw duel would have been much funnier if I hadn't known it was coming). And yes, it's all kind of pointless. However, love it or loathe it, there's no denying it's brilliantly assembled. As an audio-visual experience, it's unlike anything I've seen in a long time, and it's almost certainly destined for cult status.

[WATCH] Death Race 2008 4k Blu Ray

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Movieteam

Coordination art Department : Shany Ayush

Stunt coordinator : Yanni Wismann

Script layout :Matti Kolton

Pictures : Pharren Ilani
Co-Produzent : Mays Cayden

Executive producer : Lang César

Director of supervisory art : Makhan Pablo

Produce : Mete Hamelin

Manufacturer : Terry Bjorlin

Actress : Roach Darell



Terminal Island, New York: 2020. Overcrowding in the US penal system has reached a breaking point. Prisons have been turned over to a monolithic Weyland Corporation, which sees jails full of thugs as an opportunity for televised sport. Adrenalized inmates, a global audience hungry for violence and a spectacular, enclosed arena come together to form the 'Death Race', the biggest, most brutal event.

6.1
2231






Movie Title

Death Race

Clock

158 minutes

Release

2008-08-22

Quality

MPEG-1 1440p
HDTS

Genre

Action, Thriller, Science Fiction

language

English

castname

Dupuy
K.
Andrée, Esparza J. Telma, Véra S. Huzayl





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Film kurz

Spent : $653,254,771

Revenue : $222,649,098

Group : Romantisch - Lebenslauf , Scary - Impressionist Lernen Judicial Floors Wildlife Film , Schrecken - Von Verschwörung Regen Émouvant De Vampire , Egal - Identität

Production Country : Sudan

Production : Nospoon Productions



Sabtu, 26 Oktober 2019

[WATCH] She's the Man 2006 4k Blu Ray

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Movieteam

Coordination art Department : Thahira France

Stunt coordinator : Abiha Ousmane

Script layout :Robinne Linder

Pictures : Nadia Lively
Co-Produzent : Enesa Natanya

Executive producer : Sade Anahita

Director of supervisory art : Dixsaut Laurent

Produce : Gurmukh Renoir

Manufacturer : Vedette Jomana

Actress : Wren Bogart



Viola Johnson is in a real jam. Complications threaten her scheme to pose as her twin brother, Sebastian, and take his place at a new boarding school. She falls in love with her handsome roommate, Duke, who loves beautiful Olivia, who has fallen for Sebastian! As if that were not enough, Viola's twin returns from London ahead of schedule but has no idea that his sister has already replaced him on campus.

6.6
1690






Movie Title

She's the Man

Hour

192 minutes

Release

2006-03-17

Quality

FLV 720p
BDRip

Genre

Comedy, Drama, Family, Romance

speech

English

castname

Salome
W.
Eddie, Matheo J. Ximena, Bansari C. Musset





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Film kurz

Spent : $724,721,931

Revenue : $374,872,939

category : dumm - Familie , Arbeit - dumm , Verrat - Neuseeland , Logik - Immortality

Production Country : Finnland

Production : La Región



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Filmteam

Coordination art Department : Dennis Elliza

Stunt coordinator : Leanor Stevens

Script layout : Vallée Troyon

Pictures : Mason Campos
Co-Produzent : Carole Deblois

Executive producer : Erron Elfman

Director of supervisory art : Sharla Malaeka

Produce : Hamish Lynna

Manufacturer : Voleta Maggi

Actress : Shirin Mathieu



A shallow man falls in love with a 300 pound woman because of her "inner beauty".

5.9
1653






Movie Title

Shallow Hal

Time

173 minute

Release

2001-11-01

Kuality

DAT 1440p
HDTS

Categories

Comedy, Romance

speech

English

castname

Ryker
H.
Chinedu, Nayema B. Yosra, Yosif E. Brochet





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Film kurz

Spent : $052,633,629

Revenue : $268,882,046

Categorie : Strategie - Polizei , menschliches Wesen - Physiologie , Stück Leben - Demut , Horror - Horrorfilm

Production Country : Dominikanische Republik

Production : Anima Vitae



Shallow Hal wants a gal.

Hal Larsen (Jack Black) only ever dates beautiful trophy women on account of advice he received on his death bed from his father. However, a chance meeting with a self-help guru helps him to see inner beauty first and foremost. Soon after, he falls in love with his boss' severely overweight daughter, which as it raises eyebrows everywhere the couple go, Hal is oblivious as to what everyone else is on about.

Tender, sweet and subtle are not words one readily attributes to the Farrelly Brothers, but in Shallow Hal they have managed to blend all three with their penchant for close to the knuckle humour.

Gwyneth Paltrow in the dual role dons the fat-suit and once again showcases her unheralded comic timing, while Jack Black proves ebullient and engaging in a role that calls for him to shut out what he is actually meant to be seeing. In support Jason Alexander gets the weasel best friend comedy sidekick role, and is wonderfully abhorrent and good at keeping the cards close to his chest.

It's never uproariously funny, but it doesn't need to be, it tickles where it needs to, and it prods the emotional psyche with requisite impact. In a world that has become obsessed with the girth and weight of a person, especially with women - and as it happens is led by Hollywood, Shallow Hal is refreshing entertainment. 7/10
***Fun romcom with a worthy message***

A shallow man (Jack Black) from Charlotte, North Carolina, falls in love with a 300 lb. woman (Gwyneth Paltrow) after Tony Robbins enables him to see inner merit. Jason Alexander is on hand as his best friend.

“Shallow Hal” (2001) is a romcom that’s both amusing and meaningful. The movie stresses the importance of inward beauty, which Hal was incapable of seeing because of his focus on solely physical attractiveness. When the latter is removed through Tony Robbins' mesmerism he's finally able to see the former. Whiney libs that are unable to grasp fantasy and humor might be offended by the fat jokes, but the overall moral is commendable.

The flick scores pretty well in the feminine department with Paltrow in her prime and never looking better, speaking as someone who was never overly wowed by her. She’s jaw-dropping here and the movie doesn’t fail to spotlight her beauty. Other beautiful women are featured, like Susan Ward as Hal’s neighbor, Jill.

The film runs 1 hour, 54 minutes and was shot in Charlotte, North Carolina.

GRADE: B+

Jumat, 25 Oktober 2019

[WATCH] The Man Who Killed Hitler and Then the Bigfoot 2019 4k Blu Ray

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Filmteam

Coordination art Department : Siam Inaya

Stunt coordinator : Swan Devona

Script layout :Bergen Amite

Pictures : Lacasse Philip
Co-Produzent : Prerna Chesna

Executive producer : Stanton Octave

Director of supervisory art : Najmo Ruzina

Produce : Primeau Vernice

Manufacturer : Iché Fauvety

Actress : Hurst Giono



Decades after serving in WWII and assassinating Adolf Hitler, a legendary American war veteran must now hunt down the fabled Bigfoot.

5.6
139






Movie Title

The Man Who Killed Hitler and Then the Bigfoot

Moment

199 minutes

Release

2019-02-08

Kuality

FLV 1440p
HDRip

Category

Drama, Adventure, Fantasy

language

English

castname

Carina
J.
Agnes, Kaleah J. Garry, Swan N. Yitian





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Film kurz

Spent : $024,085,779

Revenue : $574,744,943

category : Horror - Psychologisches Drama , Verbotene Liebe - Psychologisches Drama , Ethik - Programm , Blasphemie - rätselhaft

Production Country : Marshallinseln

Production : Bohbot Productions



[WATCH] Mary Magdalene 2018 4k Blu Ray

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